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Production budgeting manual, plus industry standard budget templates
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Comprehensive guide for all filmmakers working with Indigenous content and communities
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Screen Australia resources for documentary filmmakers
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What's on offer from screen agencies and resource organisations around the states and territories.
Search the footage library
The Film Australia Collection Library (now managed by NFSA) is one of the largest and most historically significant sources of archival, documentary and stock footage in Australia.
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Explore Australian features, documentaries, TV drama and other screen content
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Buy documentaries produced under the former Film Australia's National Interest Program
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Discussion papers, review documents, presentations and statistical reports
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our quarterly infographic snapshot.
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Release and performance of Australian features, TV drama, documentaries & shorts
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Characteristics of screen production businesses and data on production activityAudiovisual markets
Audience data and industry statistics for Australian screen content release platforms
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Employment data across audiovisual industries and occupations
Australia & the world
Imports and exports; world rankings for a range of indicators
Research partnerships
An overview of Screen Australia’s current research and publishing partnerships



















It’s great to be able to kick off our first bulletin for 2012 by announcing that four Australian films have been selected from over 7,100 entries to screen at the prestigious Clermont-Ferrand International Short Film Festival. Two shorts were selected to screen in the International Competition section: Tethered (w/d Craig Irvin) and Paris Lakes (w/d/p Robert Stephenson). The experimental content Lab Competition will screen Attach Boat to Motor (w/d Nathan Lewis) and At the Formal (w/d Andrew Kavanagh).
Hollywood script consultant Michael Hauge will return to Australia to run the High Concept Movie Workshop in Sydney, 19–21 March 2012. The workshop will guide screenwriters in developing their high concept movie idea into a workable, well-structured treatment. Guidelines and application form are now available on our website. Application deadline 6 February.
We have published a Directory of International Sales Agents, providing a snapshot of companies representing Australian feature films around the world. Inside you’ll find details of each seller’s acquisition policy, which markets they attend, at what stage they prefer to be approached and whether they pay advances. There’s also a list of the Australian films that sales agents have handled.
Screen Australia is organising an Australian stand at the European Film Market during the Berlin International Film Festival (9–19 February 2012).
On Tuesday we announced support for four short films through the Short Film Completion Fund. The successful shorts are: Spine (w/d Sophie Miller), The One Who Broke Your Heart (w/d Scott Pickett), Lois (w/d Alexandra Schepisi) and Strange Face (w/d Lynne Vincent McCarthy).
After three years as Screen Australia’s Enterprise Manager, Megan McMurchy left the agency in mid-December 2011. Please direct any enquiries regarding the Enterprise Program to Eliza Percival, Administration Assistant, on
A number of applicants have contacted the POCU this week seeking information on their lodged Producer Offset and co-production applications. The estimated time frame for assessing applications is: up to six weeks for a completed Provisional Certificate application and up to 10 weeks for a completed Final Certificate application. However, please note that the holiday shutdown period is outside of the above time frames. So while the POCU is working very hard to finalise the large number of applications it currently has under active assessment, we ask for patience under the circumstances. 
